Episode 94
August 24, 2026
Gaudy NightWitch
Hosted by Michael Collins and Suzanne Conklin Akbari
But Peter had already lost interest in Mr Pomfret and his affairs. He was leaning with his elbows on the parapet, looking down into Cat Street. Harriet joined him.
There, eastward, within a stone’s throw, stood the twin towers of All Souls’, fantastic, unreal as a house of cards, clear-cut in the sunshine, the drenched oval in the quad beneath brilliant as an emerald in the bezel of a ring. Behind them, black and grey, New College frowning like a fortress, with dark wings wheeling about her belfry louvres; and Queen’s with her dome of green copper; and, as the eye turned southward, Magdalen, yellow and slender, the tall lily of towers; the Schools and the battlemented front of University; Merton, square-pinnacled, half-hidden behind the shadowed North side and mounting spire of St Mary’s. Westward again, Christ Church, vast between Cathedral spire and Tom Tower; Brasenose close at hand; St. Aldate’s and Carfax beyond; spire and tower and quadrangle, all Oxford springing underfoot in living leaf and enduring stone, ringed far off by her bulwark of blue hills.
Suzanne ponders the relationship between absolute truth and precarious human life via the Oxford setting of Dorothy L. Sayers’s detective novel Gaudy Night, while Michael ruminates on the great difficulty of having hope in the current moment via Jen Silverman’s dark comedy play Witch.
Show Notes.
Dorothy L. Sayers: Gaudy Night.
Jen Silverman: Witch.
Chris and Suzanne discuss Dorothy L. Sayers’s novel The Nine Tailors on a previous episode of The Spouter Inn.
Angela Collier’s excellent video about Faust.
A scene from Witch adapted as a short indie film.
Support The Spouter-Inn on Patreon and you can hang out with us in a friendly little Discord.

